The State of Video Codecs 2024

It's been 3-plus years since the MPEG codec explosion that brought us VVC, LCEVC, and EVC. Rather than breathlessly trumpet every single-digit quality improvement or design win, I'll quickly get you up-to-speed on quality, playability, and usage of the most commonly utilized video codecs and then explore new codec-related advancements in business and technology.

How to Deploy GPAC for FFmpeg Packaging and ABR Distribution

As much as we love FFmpeg for transcoding op­erations, it can get frustrating when packag­ing your content for ABR delivery. By packag­ing, I mean formatting and segmenting your media files, creating manifest files for HLS and DASH, for­matting for CMAF, and managing multiple audio and subtitle streams. Fortunately, there are easier-to-use solutions that are equally open source and equal­ly free. In this article, I'll focus on GPAC, which is a great packaging alternative.

Review: ViCueSoft CodecWar

CodecWar is an analysis service created by ViCueSoft, the developer of codec analy­sis tools VQ Analyzer, VQ DVK, and VQ Probe. As currently configured, the site's ideal users are researchers who are looking for a convenient way to compare codecs using relevant datasets and codec developers who are looking for a structured way to benchmark their codecs against others. In contrast, it's not a particularly convenient way for streaming producers to run experiments to optimise their encoding parameters, although it could grow into this.

The State of VVC Adoption and Implementation

If you're a video publisher who doesn't rank high in the VVC patent list, it's likely that you won't consider VVC until 2026 or later. If you're looking to augment your H.264 encodes with a more efficient codec before then, your most likely choices are HEVC and AV1, with LCEVC also an option. However, if you're a product or service provider in the streaming media ecosystem, it's long past the time to start considering where and when VVC is going to fit in for you and your target customers.

The State of Video Codecs 2023

Welcome to your codec update for 2023. I'm here to help you decide whether it's time to go all in on AV1, VVC, LCEVC, or EVC or whether it's better to stick with H.264, VP9, and HEVC. Along the way, I'll include 2022-2023 updates to identify significant changes that have occurred since last year.

How to Produce VVC With FFmpeg

Anytime you start working with a new codec, there are some fundamental tests that you should run to achieve optimal performance/quality optimization. In this article, I'll take you through those tests while encoding VVC using a version of FFmpeg that includes the Fraunhofer VVC codec.

How to Script for FFmpeg Using PowerShell and BASH

FFmpeg was designed as a cross-platform solution for video and audio recording, conversion, and streaming using simple static command lines. Using variables and "for loops" in a command string simplifies the reuse of existing scripts and helps automate their operation. While you can't use these scripts in the Windows Command window, you can use Microsoft PowerShell in Windows and Bash on Linux and the Mac. In this tutorial, you'll learn how to create and run such scripts with PowerShell and Bash.

Review: Moscow State University Video Quality Measurement Tool 14.1

Unlimited file analysis and Python interface highlight the new features

Google Chrome Plays HEVC: What Does it Mean?

In late September, Google quietly let slip the news that it now offers playback support for HEVC in Chrome when it's already available in the underlying platform. This is bigger news than Google is letting on, but its immediate impact remains to be seen. We surveyed a number of experts and analysts to gauge its meaning for increased HEVC usage and more, and how it affects DRM and HDR.

Netflix's Andrey Norkin Talks Future of AV1

Streaming Learning Center's Jan Ozer interviews Netflix Senior Research Scientist - Video Algorithms and Alliance for Open Media co-chair Andrey Norkin about several topics around the future of AV1, including the necessity of HDR for premium content producers, Libaom's focus on SVT-AV1, and more.

AOMedia Delivers on SVT-AV1's Promise

With the recent launch of version 1.0, SVT-AV1 appears to have caught up with libaom in quality, with very definite performance advantages. Its two-pass rate control is tested and proven. If you're creating an AV1 encoding workflow today that emphasises encoding speed and quality, SVT-AV1 should definitely be on your short list.

Tutorial: Publishing HDR Video to YouTube

In this tutorial, I'll show you how to publish HDR videos from your iPhone to YouTube, with an intermediate step through Adobe Premiere Pro.

Review: Telestream Wirecast Gear 3

The newly released Wirecast Gear 3 combines a change from Intel to AMD CPUs and a rearchitected software engine that Telestream claims "uses up to 60% less computer resources than previous versions." In this review, I tested the new version of hardware and software to its limits and came away very impressed.

Telestream COO Jon Wilson Talks Encoding.com Acquisition

Streaming Media Contributing Editor Jan Ozer interviews Telestream President & COO Jon Wilson about Telestream's acquisition of Encoding.com and its implications for Telestream and the streaming industry at large.

How to Run a Remote Production with easylive.io

Like any multiple-input live production tool, easylive.io has a learning curve, particularly when managing multiple remote guests. But if you can drive a desktop tool like Wirecast or vMix, you'll find easylive.io a breeze.

How to Encode with FFmpeg 5.0

Rather than focusing on random tasks, this tutorial will walk you through the fundamentals of encoding with the latest version of FFmpeg.

Streamticker 2022: The Biggest Streaming Mergers and Acquisitions from Last Year

2021 was a heck of a year for streaming industry mergers and acquisitions, and there's no sign of them slowing down. Here are the deals that set the stage for 2022.

The State of Video Codecs 2022

With H.264 usage finally beginning to decline and several newer codecs ascendant, this 2022 codec update reports on the most significant announcements from the last year relating to H.264, VP9, HEVC, AV1, VVC, LCEVC, and EVC.

Buyers' Guide: Per-Title Encoding

In per-title encoding, an encoding service creates a unique encoding ladder for each video file. While available for live streaming, per-title encoding is most often utilized with video on demand.

Tutorial: Automated ABR With AWS Elemental MediaConvert

In a recent survey, two-thirds of respondents said they weren't using per-title encoding, possibly because of the general perception that its challenges outweigh its benefits. In this tutorial, I'll demonstrate how simple it is to produce per-title output using AWS Elemental's Automated ABR (adaptive bitrate) function.